翻訳と辞書
Words near each other
・ The Big Moo
・ The Big Mouth
・ The Big Move
・ The Big Necessity
・ The Big Night
・ The Big Night (1951 film)
・ The Big Night (1960 film)
・ The Big Night (1976 film)
・ The Big Night Bathe
・ The Big Night In with John Foreman
・ The Big Noise
・ The Big Noise (1936 film)
・ The Big Noise (2012 film)
・ The Big Noise (disambiguation)
・ The Big Nose Attack
The Big Nowhere
・ The Big O
・ The Big O (album)
・ The Big Oak
・ The Big One (album)
・ The Big One (Dexter)
・ The Big One (earthquake)
・ The Big One (film)
・ The Big One (NASCAR)
・ The Big One (song)
・ The Big One (TV series)
・ The Big Operator
・ The Big Operator (1959 film)
・ The Big Operator (1976 film)
・ The Big Orange Splot


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The Big Nowhere : ウィキペディア英語版
The Big Nowhere

''The Big Nowhere'' is a 1988 crime fiction novel by James Ellroy, the second of the L.A. Quartet, a series of novels set in 1940s and 1950s Los Angeles. James Ellroy dedicated ''The Big Nowhere'' "To Glenda Revelle." The epigraph for ''The Big Nowhere'' is a passage from a novel; "It was written that I should be loyal to the nightmare of my choice- Joseph Conrad Heart of Darkness."
==Plot==

What begins in this novel as two separate tales eventually twist together into one, centered on the efforts of an LA Sheriff's Deputy to capture a brutal sex murderer while serving, somewhat reluctantly, as a decoy for a set-up to expose communists in Hollywood. This young deputy, Danny Upshaw, finds himself on a ride that will force him to confront secrets he has kept his whole life, even from himself. Two other major characters, disgraced former cop, Turner "Buzz" Meeks, now working for both Howard Hughes and Mickey Cohen, and ambitious LAPD lieutenant Malcolm "Mal" Considine, involved in a bitter child custody case, try with varying success to do the right things in an environment of deception, paranoia and brutality.
The story begins on New Year's Eve, as 1949 turns to 1950, and creates a vivid portrait of Los Angeles during that era, from the bebop emanating from the jazz clubs on Central Avenue to the labor union battles facing the Hollywood studios. The entire story takes place in the aftermath of the notorious Sleepy Lagoon murder case and the resultant Zoot Suit Riots, an event that roiled LA for years.
While the novel mocks opportunistic Red-baiting as a scam to oust organized labor that benefited political careers and the fortunes of movie studio executives and mobsters, Ellroy is no easier on the film colony's communists and fellow travelers, many of whom he depicts as decadent hypocrites, easily compromised into "naming names" in an effort to hide their own dirty secrets. As with most of Ellroy's fiction, he liberally employs the brutal slang of the times. Gays are "fruits," "homos," "nances"; blacks are "boogies" and "jigs" and their neighborhoods are all Niggertown.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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